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Sigma 70-200mm F2.8 DG OS HSM | Sports

Press release issued by Sigma:

S | Sports

SIGMA 70-200mm F2.8 DG OS HSM

The flagship large-aperture telephoto zoom lens that meets the most stringent needs of professional photographers

1. Combining all of the features required by professional photographers
2. Incorporating 10 exclusive low-dispersion glass elements
3. Customization is possible to improve versatility
4. The three F2.8 zooms that exhibit maximum performance

The ever-evolving 70–200mm is now available in the Sports line

The F2.8 zoom lenses are the essential equipment for many professional photographers. 70-200mm F2.8 lenses in particular are expected to perform at their best in various challenging scenes, from news to sports, landscape, and portraits. The SIGMA 70-200mm F2.8 DG OS HSM | Sports has high optical quality, a tough design and excellent handling ―all of the features required by professional photographers and high-end amateurs. The all-round, ultimate 70-200mm F2.8 is now available.

Key features

1. Combining all of the features required by professional photographers
To make the lens lightweight while maintaining robustness, magnesium is used to ensure high mobility. As a lens from the Sports line, the dust- and splash-proof structure, together with the water- and oil-repellent coating on the front lens, ensures safe use even in the most challenging shooting conditions. The SIGMA 70–200mm F2.8 DG OS HSM | Sports also incorporates Intelligent OS*1 with an acceleration sensor and the latest algorithm capable of panning in all directions. The high-speed AF, thanks to the HSM (Hyper Sonic Motor) with an updated algorithm, captures instantaneous photography movement.
*1 In Mode 2, the movements of subjects can be captured without losing panning effects thanks to the image stabilization function even when the camera is moved horizontally, vertically, or diagonally—regardless of the position of the lens.

2. Incorporating 10 exclusive low-dispersion glass elements
To provide excellent correction of color aberration, nine FLD (“F” Low Dispersion) glass elements and an SLD (Special Low Dispersion) glass element, in total ten exclusive low-dispersion glass elements are incorporated. From the center to the corners, extremely high resolution is realized, making the lens capable of meeting the most demanding needs of professional photographers in various shooting conditions.

By optimizing spherical aberration, a smooth and natural bokeh effect is ensured making the lens perfect for portrait photography.

3. Customization is possible to improve versatility
An AF Function button is provided to allocate various functions. By selecting it from the menu on camera bodies, or using the optional SIGMA USB DOCK*2, functions other than AF Lock can be allocated too. It expands shooting styles, depending on the user’s preference. In addition, the tripod socket with 90° click stops, made with a magnesium alloy which is both lightweight and tough, is incorporated to ensure easier changes of shooting position from vertical to horizontal and vice versa. It can be attached directly to an Arca Swiss type clamp.
*2 For Canon, it is available from compatible camera models. For SIGMA and Nikon, the optional SIGMA USB DOCK and a PC which has SIGMA Optimization Pro software installed are required.

4. The three F2.8 zooms that exhibit maximum performance
Together with the existing SIGMA 14-24mm F2.8 DG HSM | Art and SIGMA 24-70mm F2.8 DG OS HSM | Art lenses, the SIGMA 70–200mm F2.8 DG OS HSM | Sports completes the lineup of three F2.8 large-aperture zoom lenses capable of covering focal lengths from 14mm to 200mm. The three lenses exhibit maximum performance in scenes requiring shooting under various conditions and circumstances such as scouting filming locations and overseas reporting assignments.

Other features

+ Tele Converters that are designed to match the current lens lineup (optional) can be attached
*The addition of SIGMA’s TELE CONVERTER TC-1401 or TELE CONVERTER TC-2001 produces an AF 98-280mm F4 hyper-telephoto zoom lens or an AF 140-400mm F5.6 hyper-telephoto zoom lens respectively.
+ Tripod socket with high usability
・With 90° click (de-clickable) stops
・Replaceable lens foot (Can be used on monopod when removed)
・Compatible with Arca Swiss type clamps (with stopper screw)
+ Hood with lock
+ Equipped with a focus limiter
+ Manual Override (MO) capable of switching two full-time manual modes
*By setting it to the MO position, it switches to manual focus by rotating the focus ring even during continuous AF. Using the optional SIGMA USB DOCK, it is possible to adjust the MO position’s sensitivity to switch to manual focus.
+ 11-blade rounded diaphragm
+ Compatible with Canon Lens Aberration Correction
*Function not available on all Canon cameras. Further, available corrections may vary by Canon camera model.
+ Nikon electromagnetic diaphragm mechanism included
+ Compatible with SIGMA MOUNT CONVERTER MC-11
+ Compatible with SIGMA USB DOCK
* Not available for Sony E-mount lens
+ Available Mount Conversion Service
+ Designed to minimize flare and ghosting
+ Evaluation with SIGMA’s own MTF measuring system: A1
+ High-precision, rugged brass bayonet mount
+ “Made in Japan” craftsmanship

For more information about the SIGMA GLOBAL VISION lineup of fine products, please visit the official SIGMA global website: SIGMA GLOBAL VISION: http://www.sigma-global.com/en/lenses/

Specifications

All figures calculated for SIGMA

  • Lens Construction: 24 elements in 22 groups
  • Angle of view (35mm): 34.3°-12.3°
  • Number of diaphragm blades: 11 (rounded diaphragm)
  • Minimum aperture: F22
  • Minimum focusing distance: 120cm / 47.2in.
  • Maximum magnification ratio: 1:4.8
  • Filter size: ø 82mm
  • Dimensions (diameter x length): ø94.2mm x 202.9mm / ø 3.7in. x 8.0in.|Weight:1,805g / 63.7oz.

Sigma 56mm F1.4 DC DN | Contemporary

Press release issued by Sigma:

C | Contemporary

SIGMA 56mm F1.4 DC DN

Compact, lightweight and remarkable image quality ― a mid-tele lens for APS-C mirrorless

1. Impressively compact construction with image quality rivaling SIGMA’s Art line
2. The only three F1.4 AF lens system for APS-C Sony E-mount mirrorless cameras
3. Smooth AF ideal for video shooting

Third addition to the F1.4 Series following the 30mm and 16mm lenses
The smallest mid-tele lens in its class*

The first of the series is the standard lens 30mm F1.4 DC DN | Contemporary, and the second is the wide-angle lens 16mm F1.4 DC DN | Contemporary. The third addition is this smallest mid-tele lens in its class, 56mm F1.4 DC DN | Contemporary. While retaining the compact, lightweight, and outstanding image quality concepts of the Contemporary line, thanks to SIGMA’s leading-edge technology, this lens provides the amount of bokeh and admirable brightness expected from F1.4 lenses even in the mid-tele range. This addition completes the large aperture series comprised of portable wide-angle, standard, and telephoto lenses.

*The smallest in its class among F1.4 mid-tele lenses for APS-C mirrorless cameras

About the lens name SIGMA lenses with “DC” in the name are designed for optimal performance on cameras with APS-C image sensors. When a DC lens is used with a camera with a full-frame image sensor, vignetting will occur. Photographers are advised to adjust image area settings for optimal image results. SIGMA lenses with “DN” in the name are designed for optimal performance on cameras with a short flange back distance.

Key features

1. Impressively compact construction with image quality rivaling SIGMA’s Art line
To achieve such a compact construction, lens design is considered based on the capabilities of the camera body function to correct peripheral light amount and distortion. Moreover, axial color aberration, which is difficult to eliminate by image processing, is efficiently corrected by incorporating an SLD glass element. A compactness and lightweight construction combined with superb image quality is achieved.

2. The only three F1.4 AF lens system for APS-C Sony E-mount mirrorless cameras
The lens benefits from an open aperture of F1.4 to achieve sufficient amount of bokeh and admirable brightness even with APS-C size cameras which tend to have smaller bokeh effects compared to 35mm full size systems. Its compact and lightweight body is perfect for daily use, capable of capturing various scenes ranging from portraits to snapshots, as well as night view.
3. Smooth AF ideal for video shooting
The combination of optical design for video AF and use of the stepping motor enables smooth and quiet autofocus. This lens is also compatible with the Sony E-mount Fast Hybrid AF, achieving precise AF tracking. By using the face recognition or eye AF functions of cameras, focus will continuously be on the face or the eye even if the subject moves during the shoot.

Other features

  • Mount with dust- and splash-proof design with rubber sealing
  • Available Mount Conversion Service
  • Designed to minimize flare and ghosting
  • Evaluation with SIGMA’s own MTF measuring system: A1
  • 9-blade rounded diaphragm
  • High-precision, rugged brass bayonet mount
  • “Made in Japan” craftsmanship

For more information about the SIGMA GLOBAL VISION lineup of fine products, please visit the official SIGMA global website:
SIGMA GLOBAL VISION: http://www.sigma-global.com/en/lenses/

Sigma 60-600mm F4.5-6.3 DG OS HSM | Sports

Press release issued by Sigma:

S | Sports

SIGMA 60-600mm F4.5-6.3 DG OS HSM

The absolute all-rounder.
Effortlessly covering from standard to hyper-telephoto.

1. High optical quality that meets the most stringent needs of professional photographers
2. Incorporating multi-material to achieve both portability and durability
3. Design that ensures photographers capture every desired moment
4. SIGMA 600mm hyper-telephoto zoom lens lineup accommodates diverse shooting styles

The world’s first 10× optical zoom telephoto lens with a tele end of 600mm

Covering from 60mm to 600mm, the 10× hyper-telephoto zoom lens achieves the same level of high image quality as the SIGMA 150–600mm F5-6.3 DG OS HSM | Sports. With the lens construction of 25 elements in 19 groups, consistent image quality can be created throughout the entire zoom range. This lens also incorporates Intelligent OS*1 adopting the latest algorithm to deliver an image stabilization effect of 4 stops*2. The high-speed AF, thanks to the HSM (Hyper Sonic Motor) with an updated algorithm, captures instantaneous photography movement. High ratio, high image quality, and high mobility ―The SIGMA 60–600mm F4.5-6.3 DG OS HSM | Sports marks the birth of a lens that is on another level from existing high ratio zoom lenses.

* 1In Mode 2, the movements of subjects can be captured without losing panning effects thanks to the image stabilization function even when the camera is moved horizontally, vertically, or diagonally—regardless of the position of the lens.
*2 Based on CIPA guidelines (Measured in 600mm with a 35mm full-size image sensor)

Key features

1. High optical quality meeting the most stringent needs of professional photographers
This lens incorporates three FLD (“F” Low Dispersion) glass elements and one SLD (Special Low Dispersion) glass element to provide excellent correction of magnification chromatic aberration encountered in hyper-telephoto shooting. This offers both high resolution and consistent edge to edge performance through the entire zoom range. In addition, when shooting at the focal length of 200mm, the SIGMA 60–600mm F4.5-6.3 DG OS HSM | Sports can also be used for telephoto macro photography, with a maximum magnification ratio of 1:3.3, thanks to its high rendering performance.

2. Incorporating multi-material to achieve both portability and durability
To achieve comfortable handling required for a 10x zoom lens while maintaining high optical quality, the SIGMA 60-600mm F4.5-6.3 DG OS HSM | Sports incorporates multi-material, such as magnesium, CFRP*3, and TSC*4. The use of these superior materials in the right place reduces the weight of the overall lens to enhance portability and ensure durability.

*3 Carbon fiber reinforced plastic, a light but strong material used in the interior and exterior fittings of aircraft, among many other applications.
*4 Thermally Stable Composite (TSC) offers thermal expansion characteristics similar to those of aluminum. Since parts made with TSC expand and contract less due to changes in temperature, they tend to perform better under extreme conditions and help maintain the performance of the lens. TSC also offers outstanding elasticity. Compared to polycarbonate containing 20% glass, TSC offers approximately 70% higher elasticity. Compared to polycarbonate containing 30% glass, it offers 25% higher elasticity. (Comparison is between SIGMA-produced components.)

■ CFRP
■ TSC
■ Magnesium alloy

3. Design that ensures photographers capture every desired moment
The zooming mechanism has been engineered to make both smooth rotation and straight zoom possible. In addition, as a lens from the Sports line, the dust- and splash-proof structure ensures safe use even in the most challenging shooting conditions. Together with the water- and oil-repellent coating on the front lens, this lens surely meets the exact requirements of professional photographers.

4. SIGMA 600mm hyper-telephoto zoom lens lineup accommodates diverse shooting styles
The arrival of the 60-600mm F4.5-6.3 DG OS HSM | Sports expands the lineup of SIGMA’s 600mm zooms to three lenses. The SIGMA 60-600mm F4.5-6.3 DG OS HSM | Sports is “versatile”, focusing on high image quality and mobility, demonstrating superior coverage from a standard focal length to a hyper-telephoto range without switching to another lens. The 150-600mm F5-6.3 DG OS HSM | Sports is composed of many metal parts aiming at a “robust” structure. The lineup of these two Sports line lenses that can meet the most stringent needs of professionals, together with the Contemporary line’s “lightweight” 150-600mm F5-6.3 DG OS HSM | Contemporary, which reduces weight and makes the shooting experience even more comfortable and convenient, SIGMA undoubtedly satisfies the diverse shooting styles of photographers.

Other features

■ Tele Converters that are designed to match the current lens lineup (optional) can be attached.
The addition of SIGMA’s TELE CONVERTER TC-1401 or TELE CONVERTER TC-2001 produces an AF* 84-840mm F6.3-9 hyper-telephoto zoom lens or a MF 120-1200mm F9-13 hyper-telephoto zoom lens respectively.

*When it is attached to cameras that are compatible with AF at F8, focus accuracy is not ensured on the telephoto side at the focal length scale more than 300mm.

■ Tripod socket with high usability
・With 90° click stops
・Replaceablelens foot
・Compatible with Arca Swiss type clamps (with stopper screw)

■ CFRP hood
■ Equipped with a focus limiter
■ Manual Override (MO) capable of switching two full-time manual modes

*By setting it to the MO position, it switches to manual focus by rotating the focus ring even during continuous AF. Using the optional SIGMA USB DOCK, it is possible to adjust the MO position’s sensitivity to switch to manual focus.

■ Zoom lock switch can be set to all marked focal lengths.
■ Compatible with Canon Lens Aberration Correction

*Function not available on all Canon cameras. Further, available corrections may vary by Canon camera model.

■ Nikon electromagnetic diaphragm mechanism included
■ Compatible with SIGMA MOUNT CONVERTER MC-11
■ Compatible with SIGMA USB DOCK

* Not available for Sony E-mount lens

■ Available Mount Conversion Service
■ Designed to minimize flare and ghosting
■ Evaluation with SIGMA’s own MTF measuring system: A1
■ 9-blade rounded diaphragm
■ High-precision, rugged brass bayonet mount
■ “Made in Japan” craftsmanship

For more information about the SIGMA GLOBAL VISION lineup of fine products, please visit the official SIGMA global website: SIGMA GLOBAL VISION: http://www.sigma-global.com/en/lenses/

Sigma 40mm F1.4 DG HSM | Art

Press Release from Sigma:

SIGMA 40mm F1.4 DG HSM

Exceptional quality is the natural instinct of creators.
An evolution of the Art line is driven by this desire.

1. Optical performance that meets the requirements of high-end cine lenses
2. Designed to meet all shooting conditions
3. SIGMA CINE LENS – Inheriting the high standard and superior optical performance of SIGMA’s Art lenses

Inherits the development philosophy behind the SIGMA CINE LENS

High-end cine lenses used by professional filmmakers are required to have a consistent characteristic over the entire sensor at a high level, because these lenses are used to film a subject moving freely on the screen or while panning or tilting the camera. This represents exactly the concept of the Art line; “optical performance comes first”, and the high-end cine lenses need to be designed with this idea. The SIGMA 40mm F1.4 DG HSM | Art is SIGMA’s first lens developed originally to live up to the sought-after angle of view and performance standard for a cine lens. This new perspective to ensure the quality of professional equipment for visual production empowers it to breakthrough also as an interchangeable photographic lens.

Key Features

1. Optical performance that meets the requirement of high-end cine lenses
This lens effectively arranges three FLD (“F” Low Dispersion) glass elements and three SLD (Special Low Dispersion) glass elements to correct axial chromatic aberration and magnification chromatic aberration to the limit. A sharp image is formed on the focal plane with the maximum aperture and contrast with the soft bokeh in the out of focus area highlights the solidity of a subject. With a distortion of 1% or below and a sagittal coma flare corrected to the limit, it demonstrates a consistent optical characteristic over the entire sensor. This is the ultimate large-diameter standard lens that has both 8K-compatible resolution and beautiful bokeh.

2. Designed to meet all shooting conditions
The water- and oil-repellent coating on the front lens element, together with the dust- and splash-proof structure, ensures excellent performance even in the most challenging shooting conditions. The high-speed AF, thanks to the HSM (Hyper Sonic Motor) with an updated algorithm, captures instantaneous photography movement.

3. SIGMA CINE LENS – Inheriting the high standard and superior optical performance of SIGMA’s Art lenses
The optical design of SIGMA’s Art line is adopted and extended to “SIGMA CINE LENS” to achieve professional equipment for video production, which have been used in various filming situations. Thanks to its superior optical performance, the lenses can accommodate 50 million pixels and above in full-frame still cameras and meet the high-resolution requirements of leading edge 8K video technology. As high-end cine lenses, SIGMA offers 10 prime lenses, ranging from 14mm to 135mm, compatible with 35mm full-frame models, in the FF High Speed Prime Line. SIGMA also provides one zoom lens in the FF Zoom Line, and two zoom lenses compatible with super 35 in the High Speed Zoom Line.

Other features

  • Hood with lock
  • Compatible with Canon Lens Aberration Correction

*Function not available on all Canon cameras. Further, available corrections may vary by Canon camera model.

  • Nikon electromagnetic diaphragm mechanism included
  • Manual Override (MO) capable of switching two full-time manual modes

*By setting it to the MO position, it switches to manual focus by rotating the focus ring even during continuous AF.
Using the optional SIGMA USB DOCK, it is possible to adjust the MO position’s sensitivity to switch to manual focus.

  • Compatible with SIGMA MOUNT CONVERTER MC-11
  • Compatible with SIGMA USB DOCK

* Not available for Sony E-mount lens

  • Available Mount Conversion Service
  • Designed to minimize flare and ghosting
  • Evaluation with SIGMA’s own MTF measuring system: A1
  • 9-blade rounded diaphragm
  • High-precision, rugged brass bayonet mount
  • “Made in Japan” craftsmanship

Sigma

Sigma 28mm F1.4 DG HSM | Art Lens

Press release issued by Sigma:

A | Art

SIGMA 28mm F1.4 DG HSM

The most-anticipated lens for wide-angle prime enthusiasts, now available from SIGMA’s Art line.

1. Best-in-class performance
2. Designed to meet all shooting conditions
3. SIGMA’s industry-leading wide-angle collection

Launch: TBD
Accessories: Case, Petal Type Hood with lock (LH828-01)
Available AF mounts: SIGMA, Nikon, Canon, Sony E-mount

Note: Appearance and specifications are subject to change without notice.

#sigma28mmArt #sigmaArt #sigma

The classical angle of view with the latest lens design

28mm angle of view used to be a representative wide-angle in the era of film cameras, and attracts many fans even today. To accommodate the request from many photographers who expressed the strong interest in using the familiar 28mm with Art line quality, SIGMA produces the SIGMA 28mm F1.4 DG HSM | Art, based on the know-how gained through development of the Art F1.4 prime lens lineup released so far. This newest traditional wide-angle lens, advantaged by the latest design and materials, as well as the processing technologies, is now available from SIGMA’s Art line.

Key features

1. Best-in-class performance
This lens incorporates two FLD (“F” Low Dispersion) glass elements and three SLD (Special Low Dispersion) glass elements. In addition, it effectively arranges three aspherical lenses, including a large-diameter aspherical lens to provide thorough correction of magnification chromatic aberration —encountered particularly in wide-angle lenses. This offers high resolution over the entire sensor, while sagittal coma flare is thoroughly corrected and distortion is also minimized to the fullest. Excellent performance is delivered in street photography, as well as shooting landscapes and night skies.

2. Designed to meet all shooting conditions
The water- and oil-repellent coating on the front lens element, together with the dust- and splash-proof structure, ensures excellent performance even in the most challenging shooting conditions. The high-speed AF, thanks to the HSM (Hyper Sonic Motor) with an updated algorithm, captures instantaneous photography movement.

3. SIGMA’s industry-leading wide-angle collection
With the launch of this lens, the lineup of large-diameter wide-angle prime lenses compatible with 35mm full-frame has expanded to five, ranging from 14mm to 35mm. All lenses except for 14mm have an F1.4 brightness (F1.8 for 14mm), enabling photographers to choose the angle of view that best suits them, process attractive bokeh in the background, and capture their imagination.
Other features

  • Hood with lock
  • Compatible with Canon Lens Aberration Correction

*Function not available on all Canon cameras. Further, available corrections may vary by Canon camera model.

  • Nikon electromagnetic diaphragm mechanism included
  • Manual Override (MO) capable of switching two full-time manual modes

*By setting it to the MO position, it switches to manual focus by rotating the focus ring even during continuous AF.

Using the optional SIGMA USB DOCK, it is possible to adjust the MO position’s sensitivity to switch to manual focus.

  • Compatible with SIGMA MOUNT CONVERTER MC-11
  • Compatible with SIGMA USB DOCK

*Not available for Sony E-mount lens

  • Available Mount Conversion Service
  • Designed to minimize flare and ghosting
  • Evaluation with SIGMA’s own MTF measuring system: A1
  • 9-blade rounded diaphragm
  • High-precision, rugged brass bayonet mount
  • “Made in Japan” craftsmanship

For more information about the SIGMA GLOBAL VISION lineup of fine products, please visit the official SIGMA global website: SIGMA GLOBAL VISION: http://www.sigma-global.com/en/lenses/

Fujifilm GFX 50R

Press release issued by Fujifilm

Introducing the rangefinder style model to the GFX medium format digital mirrorless system
FUJIFILM GFX 50R

A large 51.4MP image sensor in a compact and lightweight body is reminiscent of renowned medium format film cameras widely used in street and documentary photography

PHOTOKINA 2018, COLOGNE, GERMANY, September 25, 2018 -FUJIFILM Corporation (President: Kenji Sukeno) will launch a medium format mirrorless digital camera FUJIFILM GFX 50R (GFX 50R), which features the FUJIFILM G Format (medium format, 43.8×32.9mm) image sensor, which is approx. 1.7 times the size of a full frame 35mm image sensor (*1).

The GFX 50R continues the compact, lightweight and superior image quality characteristics of Fujifilm’s GFX medium format mirrorless digital camera system, while weighing approx. 145g less and 25mm thinner than the FUJIFILM GFX 50S (GFX 50S). The GFX 50S has attracted high praise from professional photographers since its launch in January 2017. Yet, many field photographers who specialize in weddings, portraits and street photography have sought after an even more compact and lightweight camera, along the line of Fujifilm’s traditional medium format film cameras such as GA645 (*discontinued) and GF670 (*discontinued). With this in mind, FUJIFILM is adding the new “GFX 50R” to the lineup.

1. Compact and lightweight (approx. 775g *2) medium format mirrorless digital camera in the rangefinder style
・The GFX 50R is approx. 145g lighter than the GFX 50S (weighing 920g with EVF). The camera body is just 66.4mm thick, 25.0mm thinner than the GFX 50S.
・The rangefinder style design allows you to keep your eye on a subject while looking through the viewfinder with the other eye. This enables checking and feeling the atmosphere of the scene around your subject matter, shown in the EVF.
・The GFX 50R is equipped with the 0.77x 3.69M-dot organic EL electronic viewfinder (EVF). This allows accurate focusing despite the large size of the medium format sensor, which has a shallower depth of field than that of a 35mm full frame sensor when shooting at the same angle of view.

2. Equipped with 51.4MP medium format CMOS sensor and X-Processor Pro image processing engine
・The medium format (43.8mm x 32.9mm) “G Format” sensor has better per pixel light reception capability than that of a 35mm full frame sensor of the same resolution. Furthermore, the micro lenses have been designed to optimize the light gathering performance and image resolution as well as the handling of data from photodiodes are customized to achieve a superior level of image quality, surpassing that of existing cameras that use a sensor of the same size. As a result, the GFX 50R delivers images that precisely reproduce the subject’s texture, three-dimensional feel and even the atmosphere of each scene.
・The GFX 50R features the X-Processor Pro image processing engine. Supporting FUJIFILM’s renowned Film Simulation modes, the camera allows you to opt for the tonality of photographic films such as Velvia, PROVIA and ACROS, used for many years in medium format film cameras by professional and enthusiast photographers alike.

3. Intuitive handling and rugged camera body that caters for the needs of all photographers
・The GFX 50R is equipped with the Focus Lever to allow quick adjustment of the focus point. The elimination of the selector buttons provides extra space to hold the camera better. The top panel sports two dials, one for shutter speed and the other for exposure compensation. The milled aluminum dials give the camera a premium feel and satisfying clicking touch.
・The robust magnesium alloy body is weather-sealed in 64 places to provide dust and weather resistance and ability to operate at temperatures as low as -10℃. Its durability caters to the needs of all photographers.

4. Extensive lineup of the medium format mirrorless system, “GFX system”
・The medium format mirrorless system, GFX system, currently offers a lineup of seven FUJINON GF lenses, covering focal lengths from 23mm (equivalent to 18mm in the 35mm film format) to 250mm (equivalent to 198mm in the 35mm film format). All GF lenses are able to resolve up 100MP which means they are future proof. They are also dust and weather resistant and designed to operate at temperatures as low as -10℃ so that they withstand professional use in harsh conditions.
・Tethered shooting is essential part in a professional photographers workflow. The GFX system supports tethering software “HS-V5 for Windows” and “Tether Shooting Plug-in PRO for Adobe® Photoshop®”, “Capture One Pro (FUJIFILM)” is also due to be released, giving extra options in studio sessions for commercial and fashion photography. This means that a professional photographer can incorporate the GFX system into their regular workflow.

5. GFX system’s first Bluetooth® compatibility for enhanced connectivity
・This is the first model in the GFX system to support the Bluetooth® low energy technology. Captured images can be transferred easily and quickly to smartphones and tablet devices paired with the camera via the FUJIFILM Camera Remote app.

*1 Image sensors measuring 36mm×24mm, used by many DSLRs
*2 Operating weight (including the weight of battery and recording media)

Fujifilm Develop 100-Megapixel Mirrorless Camera with On-Chip PDAF

Press release issued by Fuji

World’s first mirrorless camera with 100MP+ image sensor GFX 100 Megapixels Concept

In-body image stabilization system allows for handheld capture of 100MP images

New Development Release

PHOTOKINA 2018, COLOGNE, GERMANY, September 25th, 2018 -FUJIFILM Corporation (President: Kenji Sukeno) is developing a new flagship model equipped with 100MP+ image sensor to join the GFX system of mirrorless cameras. The new model will be the world’s first medium format mirrorless digital camera to feature an image sensor that has phase detection pixels across the entire sensor, outperforming contrast detection autofocus in tracking a moving subject and delivering greater accuracy in continuous autofocus. This model will also become the first medium format digital camera to feature in-body image stabilization mechanism, to significantly broaden the scope of achieving ultra-high resolution handheld images. The camera boasts substantially improved video recording capability compared to that of the GFX 50S and GFX 50R. It will be the first mirrorless digital camera equipped with an image sensor with the size of 43.8mmx32.9mm to support 4K video recording (4K/30P). This model will be Fujifilm’s highest performance camera that offers unrivaled innovation and versatility, as seen in the three “world’s first” features, satisfying all the needs of photographers at a higher level.

Main features

(1) FUJIFILM G Format image sensor with over 100MP resolution
The camera is equipped with a 102MP “FUJIFILM G Format (“G Format”) image sensor, specifically developed for this model. It delivers the highest image quality in the history of Fujifilm when combined with the fourth-generation “X-Processor 4” image processing engine that delivers superb color reproduction Fujifilm is famous for, and FUJINON GF lenses that offers ultra-high resolving power. Phase detection AF coverage on the entire sensor (approx. 100% coverage) enables fast and highly accurate autofocus regardless of your subject’s position within the frame, providing a level of performance that defies the current standards of medium format digital cameras.

(2) World’s first medium format digital camera to feature in-body image stabilization
In general, the higher the number of pixels that an image sensor has, the greater the likelihood of producing images out of focus from camera shakes. This is why Fujifilm has developed a new in-body image stabilization system for the G Format. This is also a world’s first for medium-format digital cameras. This has dramatically expanded the scope of achieving ultra-high resolution images (100MP+) hand-held, allowing users to explore new photographic opportunities.

(3) World’s first medium format mirrorless digital camera capable of recording 4K video
The combination of X-Processor 4’s advanced processing capability and the new image sensor with fast read speed has enabled 4K video recording (4K/30P, 10bit), the world’s first for a medium format mirrorless digital camera. The use of the larger image sensor facilitates a shallower depth of field, broader tone reproduction and advanced sensitivity characteristics. This, in turn, makes it possible to record a subject’s texture, three-dimensional feel and even the atmosphere of the scene with an unprecedented level of ease.

(4) Lightweight and robust magnesium alloy body with integrated vertical grip
The new camera has the size and weight equivalent to a high-end DSLR despite featuring an image sensor which is about 1.7 times the size of a 35mm sensor. This will be the first GFX camera to feature an integrated vertical grip, making it more robust and comfortable to hold, especially when large telephoto lenses are used.

Fujifilm

Fujifilm Update Their G-Mount Lens Roadmap

Fujifilm have updated their G-mount lens roadmap with three new lenses.

Press release issued by Fujifilm

Fujifilm unveils the latest development roadmap for GF lenses for the GFX system of medium format mirrorless cameras

Adding three new lenses to the system brings the total lens lineup to 11 lenses to support a wide range of shooting styles

September 25, 2018

FUJIFILM Corporation (President: Kenji Sukeno) has unveiled the latest development roadmap for GF lenses for the GFX system of medium format mirrorless digital cameras.

Added to the roadmap are the FUJINON GF100-200mmF5.6 R LM OIS WR telephoto zoom (hereinafter “GF100-200mmF5.6 R LM OIS WR”), FUJINON GF45-100mm F4 R LM OIS WR medium telephoto zoom (hereinafter “GF45-100mmF4 R LM OIS WR”) and in response to consumer demand and compact and lightweight lens, the FUJINON GF50mmF3.5 R LM WR standard lens (hereafter “GF50mmF3.5 R LM WR”). The total lineup of 11 lenses now support a wider range of shooting scenarios and more versatile photography styles.

Lenses added to the development roadmap

1. “GF100-200mmF5.6 R LM OIS WR” telephoto zoom lens
This is the long-awaited telephoto zoom lens with the focal length range of 100mm to 200mm (equivalent to 79-158mm in the 35mm film format). It can be used with the existing GF1.4X TC WR teleconverter to cover the focal length range of 140mm to 280mm (equivalent to 111-221mm in the 35mm film format).

2. “ GF50mmF3.5 R LM WR” compact prime lens
This is the smallest and the lightest lens in the GF lenses with the focal length of 50mm (equivalent to 40mm in the 35mm film format). Combined with the GFX 50R, announced today as well, it adds to a very portable and compact medium format digital camera system.

3. “GF45-100mmF4 R LM OIS WR” mid telephoto zoom lens
This is a highly versatile zoom lens that covers the focal length range equivalent to 36mm to 79mm in the 35mm film format, perfect for portraiture and snapshots. When combined with the existing GF32-64mmF4 R LM WR, GF100-200mmF5.6 R LM OIS WR and the teleconverter, the 4 lenses make a set that covers the focal lengths from 32mm to 280mm (equivalent to 25-221mm in the 35mm film format).

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